{"id":618,"date":"2020-04-29T16:28:18","date_gmt":"2020-04-29T14:28:18","guid":{"rendered":"http:\/\/openheim.org\/albert-serra-roi-soleil-19-mff-nowe-horyzonty\/"},"modified":"2021-07-31T14:15:21","modified_gmt":"2021-07-31T12:15:21","slug":"albert-serra-roi-soleil-19-mff-nowe-horyzonty","status":"publish","type":"page","link":"https:\/\/openheim.org\/en\/wystawy\/archiwum\/albert-serra-roi-soleil-19-mff-nowe-horyzonty\/","title":{"rendered":"Albert Serra. Roi Soleil | 19. New Horizons IFF"},"content":{"rendered":"<h2>Roi Soleil<br \/>\nAudiovisual installation<br \/>\nAlbert Serra, Spain, Portugal 2018, 61&#8242;<br \/>\nCurator&#8217;s support: Kama Wr\u00f3bel<\/h2>\n<h2><span style=\"font-weight: normal;\"><i>Roi Soleil<\/i> is the latest art piece of Albert Serra, which is a direct consequence of the <i>Death of Louis XIV<\/i> (2016). The Catalan director undertook extensive audiovisual activities combining elements of cinematography, performance and artistic installation. This unusual composition will have its Polish premiere on 26th of July in the OP ENHEIM gallery as part of the 19th International Film Festival New Horizons.<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">In 2016, Albert Serra introduced his vision of the <i>Death of Louis XIV<\/i>. Now, in <i>Roi Soleil<\/i>, he brings the ruler back to life, placing him in the minimalist interior of the art gallery, filled with intense red neon light. In this space, we see a monarch who suffers alone in France.<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">The figure of the Sun King is played by Llu\u00eds Serrat Massanellas, who, thanks to his characteristic appearance, performs very convincingly in this role. The body of the suffering king &#8211; dressed in a wig and embroidered caftan, crawling on the floor, huddled against the walls &#8211; transforms into an artistic object assigned to the ascetic space of the gallery. Ludwika&#8217;s agony is entertaining once, sometimes it impresses. There is no place for fear here. Does Serrat moan, because &#8211; being a king &#8211; he dies, or because he is straitened by a jerkin, drinking tights, and a big wig warms up his head mercilessly? The director leads the viewer to a certain immersion in the scene presented. <i>Roi Soleil<\/i> combines the elements of cinematography, performance and artistic installations, permeating each other both in the process of creating the work and its exhibition. The film won the Grand Prix of the Marseille FID documentary festival. He was shown in world-class galleries, including at Tate Modern in London and Antoni T\u00e0pies Foundation.<\/span><\/h2>\n<h2 style=\"margin-left: 25px;\"><span style=\"font-weight: normal;\">&#8211; <i>Serra&#8217;s Cinema is (&#8230;) reaching for primalources, the manifestation of the most conservative avant-garde &#8211; with its minimalism, antipsychology and the use of cultural archetypes, which replace the plot of events<\/i>. &#8211; writes Rafa\u0142 Syska in Film neomodernizmie.<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">Serra is an ironic moralist who portrays and parodies the pillars of European civilization. He is described as one of the most expressive representatives of slow cinema. Smoothly moves between the cinema and the visual arts area, hence, among others multi-dimensional artistic project <i>Roi Soleil<\/i>. He is the author of m.in. <i>Honor of the Knight<\/i> (2006), <i>Singing of birds<\/i> (2008), <i>History of my death<\/i> (2013) or <i>Death of Louis XIV<\/i> (2017).<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">Created by Dr Bloom, the floral composition in its character reflects the spirit of the era, bringing to mind the vanitas theme or the symbolism of still lifes, which, combined with passing away, perfectly fit into the story of the dying king.The Polish premiere of this unusual project will take place in the OP ENHEIM gallery at Plac Solny 4. The event accompanies the 19th International Film Festival New Horizons. <i>Roi Soleil<\/i> in the OP ENHEIM gallery will be open from 26th of July to 4th of August.<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">We invite you to read the full information about the retrospective of Albert Serra, part of the 19 program of the New Horizons International Film Festival: <a style=\"text-decoration-line: underline;\" href=\"https:\/\/bit.ly\/2XUj1WJ\" target=\"_blank\" rel=\"noopener noreferrer\">LINK<\/a>.<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">OP ENHEIM Gallery, I p.<br \/>\n26th of July &#8211; 4th of August, 2019<\/span><\/h2>\n<h2><span style=\"font-weight: normal;\">Opening hours:<br \/>\nMonday &#8211; Friday | 11:00 &#8211; 19:00<br \/>\nSaturday 12:00 &#8211; 18:00<br \/>\nSunday | 12:00 &#8211; 16:00<\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Albert Serra, a Catalan director, in a grotesque way, wants to bring us closer to the agony of Louis XIV, to strip the envelope of luxury and seriousness from the idol of European civilization. &#8220;Roi Soleil&#8221; combines elements of cinematography, performance and artistic installation, intertwining with each other both in the process of creating a work and its exhibition. The film was shown in world-class galleries, incl. at Tate Modern in London and at Fundaci\u00f3 Antoni T\u00e0pies.<\/p>\n","protected":false},"author":1,"featured_media":2601,"parent":607,"menu_order":101,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-618","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/comments?post=618"}],"version-history":[{"count":9,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/618\/revisions"}],"predecessor-version":[{"id":5413,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/618\/revisions\/5413"}],"up":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/607"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/media\/2601"}],"wp:attachment":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/media?parent=618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}