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\nPress Release: >>> soon<\/p>\n <\/p>\n
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According to the ancient Greeks and Romans, human fate was inherently tragic. From birth to the day we die, we\u2019re burdened by Fatum, the personification of inevitable and irreversible destiny, irrevocable will of the gods that can be influenced by anything or anyone. Limiting the framework of human self-determination, Fatum directed the consequences of all actions to a single conclusion, being the direct cause of our final failure and human tragedy, not so easy to come to terms with or forget.<\/p>\n
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The process of forgetting is analyzed by Justyna Adamczyk, a Warsaw-based painter and sculptor who, after nearly twenty years, returns to Wroclaw with a solo project. The artist leads us through a therapeutic, non-intrusive process of taming one’s own pain and nested fears, referring to such issues as individual and\u00a0 collective memory, experience or trauma. Through a series of intimate yet not visually indifferent paintings, installations and fragile sculptures, Justyna Adamczyk seeks an answer, or perhaps a remedy, for the insistent and recurring memories: both the worst and the unwanted ones.<\/p>\n
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The artist gradually leads us onto the path of taming the experienced evil. She beautifies what has been stripped off any beauty. She enchants totems, creates trophies and souvenirs out of elements that we don\u2019t want to remember. Using a characteristic set of symbols, forms and shapes, she suggestively smuggles a handful of personal, sometimes dark thoughts, making her works evoke a special, intimate, but also disturbing atmosphere. It\u2019s an escape into a world different from reality – full of phantasmagoric visions where everything is possible and permitted. It\u2019s an entrance into a world of memories interwoven with fiction, becoming personal projections that may not have existed in reality…<\/p>\n
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The OP ENHEIM exhibition “The past doesn\u2019t pass away, as it\u2019s constantly created anew” feature works from various periods of the artist’s career, including such cycles as: “Tell me stories”, “Breathe through your nose and keep your mouth shut” or “Don’t forget to remember me”, as well as those created especially for the Wroclaw exhibition. We will also show you a premiere preview of the latest NFT series “Breathless People”, which is a modern metaphor for the universality and globalization of Adamczyk’s themes.<\/p>\n
Team
\nCurator: Kama Wr\u00f3bel
\nProduction: Pawe\u0142 Zar\u0119ba
\nPromotion \/ PR: Kinga Kulbaka
\nVisual identification: Grzegorz Kozak
\nRealization: Micha\u0142 Micha\u0142czak
\nCooperation: Ivan Shpak, Julia Szot, Kornelia W\u0142odarczyk, Agnieszka Wr\u00f3blewska
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\nOrganizer: OP ENHEIM
\nCo-organizer: VOP
\nHonorary patron: Womak Holding SA
\nPartners: KEIM, Art Hotel, OPEN Advertising | Oksana Solnik-Krzy\u017canowska
\nMedia patrons: NOTES.NA.6.TYGODNI<\/p>\n","protected":false},"excerpt":{"rendered":"
An individual exhibition of Justyna Adamczyk, a sculptor who graduated from the Academy of Fine Arts in Wroc\u0142aw. It will be the artist's first solo exhibition in Wroc\u0142aw after many years, and she returns with a project summarising her long-standing struggle with artistic matter and her own demons. It will be an attempt to take a step forward, by conjuring traumas into magical totems, impersonal portraits or universalisation – all this preserved in the aesthetics of ugliness. The exhibition will also include works made in NFT technique, which by its very nature will constitute a modern metaphor of universality and globalisation of the themes taken up by the artist.<\/p>\n","protected":false},"author":2,"featured_media":6822,"parent":607,"menu_order":41,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6191","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/6191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/comments?post=6191"}],"version-history":[{"count":25,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/6191\/revisions"}],"predecessor-version":[{"id":7520,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/6191\/revisions\/7520"}],"up":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/pages\/607"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/media\/6822"}],"wp:attachment":[{"href":"https:\/\/openheim.org\/en\/wp-json\/wp\/v2\/media?parent=6191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}