Angelika Markul. Time formula

start at 18:30
end at 20:30

Angelika Markul very consistently develops the poetics of dreams to explore those dimensions of time that elude both ordinary experience and scientific concepts. He works out his own formula, in which the time of sleep and deep time become dimensions of the present, allowing certain symbolic reversals to take place. It does so through its own method of witnessing.

Every Truth has Four Corners. Art from Berlin: Works from the Volker Diehl Collection

start at 18:30
end at 19:00

„Every Truth has Four Corners” to wystawa prezentująca wybór prac z obszernej, bo liczącej blisko 1000 obiektów kolekcji Volkera Diehla, berlińskiego marszanda, współtwórcy międzynarodowych targów Art Forum Berlin. Cztery wybrane wątki prezentacji: „A Singular View”, „The Minimal Mind”, „Building a Constructed World” i „Fetish and Fantasy”, koncentrują się na dziełach powojennych i współczesnych, które do kolekcji włączane były równolegle z życiem kolekcjonera.

Air Wants to Go. Dominik Lejman

start at 13:00
end at 19:00

Lejman's art is based on the phenomenology of time, duration and repetition. The artist combines textiles and texts, the “fences” of doubt between disclosure and rejection, elation and fall, Elysium and prison. The name of the exhibition “Air Wants to Go” comes from a line borrowed from the poem “The Chess Player” by the American poet Howard Altmann – a poem about the abandonment and transformation of man in relation to the world.

OP_Young | Krzyżanowska, Piskorska, Jakubowicz


The second presentation of works by Laureates and Laureates of the OP_Young program, created as a reaction to the situation of young artists during the Covid-19 pandemic. Liliana Piskorska, researching the position of the Other in society, Jakub Jakubowicz bringing back the memory of the history of the villages of Wólka and Nikita Krzyżanowska, expressing her rebellion in the form of graffiti full of dynamics and expression characteristic of gesture painting.

OP_Young | Oktawian Jurczykowski


The first presentation of works by Laureates of the OP_Young program. In his series of photographs, Oktawian Jurczykowski analyzes the ambivalent figure of Józef Piłsudski. Oscillating between expression and controversy, the artist asks important questions about the cult of the individual and how it translates into the current political situation in Poland. Installations immersed in sensual red bring to mind the times of communism and social unrest.

Asana Fujikawa & David Hockney. Figures of the Floating World


Kuratorka Matilda Felix łączy akwaforty Davida Hockneya z serii „Six Fairy Tales from the Brothers Grimm” z 1969 roku z baśniowo-mitologicznymi, delikatnymi rzeźbami młodej japońskiej artystki, Asany Fujikawy. Tytuł wystawy odnosi się do tradycyjnych japońskich ilustracji „ukiyo-e” – obrazów ulotnego świata, których tematami są sceny życia codziennego. Przepływający świat kondensuje się w tych obrazach w postaci bezstronnie przedstawionej refleksji na temat tego, co czyni nas faktycznie ludźmi.



Going beyond the framework of the museum narrative, the exhibition entitled “DIE SAMMLUNG” guides viewers towards a peaceful journey through works of German, Polish and American art, bearing in mind, however, these important additions to English, Italian and Belgian works. The ABIS collection is a group of art objects developed and introduced by a recognized collector – Dr. Erich Marx. “DIE SAMMLUNG” is also a pretext to start a discussion about the essence of collecting.

Men like Gods | TIFF Festival 2019


The exhibition, part of the TIFF Festival // Worlds' Main Programme, answers the question of how we, as a human species, influence the planet we live with with other species. The eternal problem of mankind has been the inability to assume a perspective other than our own. Posthumanism, or naturocentrism, is fresh ideas and the artists invited to OP ENEHIM focused their exploration on them.

Albert Serra. Roi Soleil | 19. New Horizons IFF


Albert Serra, a Catalan director, in a grotesque way, wants to bring us closer to the agony of Louis XIV, to strip the envelope of luxury and seriousness from the idol of European civilization. “Roi Soleil” combines elements of cinematography, performance and artistic installation, intertwining with each other both in the process of creating a work and its exhibition. The film was shown in world-class galleries, incl. at Tate Modern in London and at Fundació Antoni Tàpies.

Mirosław Bałka 1/1/1/1/1


Mirosław Bałka's composition, opening the activity of the OP ENHEIM gallery, has a very special character. It is composed of four neon signs that form the word homeland in Polish, German, Hebrew and Latin. It is the most economical commentary on the history of a house in the city center, and at the same time an impulse for an in-depth reflection on the occasional nature of a concept that appears so often in everyday language.

Hubert Czerepok. Everthing is darkness


In keeping with the values ​​that are close to us for the duration of the reconstruction, we gave Hubert Czerepok the opportunity to tell a story related to the local Jewish community. The project “memory of the future” is both discovering – often deliberately – forgotten historical facts, and asking questions about the relationship between power, religion and violence.

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